Questlove joins social media debate defending Meg White’s drumming ability

In response, Questlove shared his appreciation for White, and why he believes this sort of comment is emblematic of negative changes in music listening habits.

He tweeted: “I try to leave ‘troll views’ alone but this right here is out of line af. Actually what is wrong w music is people choking the life out of music like an Instagram filter—trying to reach a high of music perfection that doesn’t even serve the song (or music).

“This is why I walk that Dilla path and play like a drunken sloppy af amateur because them flaws is the human element in music that is missing. Real film >>>>>>> IG filter photo,” he added.

This is why I walk that Dilla path and play like a drunken sloppy af amateur because them flaws is the human element in music that is missing. Real film >>>>>>> IG filter photo

— Plug 5. (@questlove) March 14, 2023

Elsewhere, other musicians also came to White’s defence, including Against Me! singer Laura Jane Grace, who wrote: “Simplicity with soul will always be more impressive to me than technical virtuosity. People like to criticize drummers like Meg or Penny from Crass but literally no one can recreate their feel. And it’s always men who have this bad take.”

Simplicity with soul will always be more impressive to me than technical virtuosity. People like to criticize drummers like Meg or Penny from Crass but literally no one can recreate their feel https://t.co/vh7ChsfCWb

— Laura Jane Grace (@LauraJaneGrace) March 13, 2023

People debating Meg White's drumming again. I don't know much about music, but I know it's not possible for a person who is 50% of a great band to be bad. It reminds me of something Chris Rock said: "I don't know what Oates does, but Hall never had a hit record without him."

— Joe Dator (@JoeDator) March 14, 2023

Advertisement

meg white’s drumming is a rorschach test for how you feel about women musicians. unless you also hate all punk music, which was also basic on a technical level and that was the point and it slapped pic.twitter.com/mxi5ccu2wq

— Emily Suzanne Lever (@SnarlsDeGaulle) March 13, 2023

Onstage with the White Stripes, Meg White looked terminally nonchalant and chill while maintaining a steady backbeat and ensuring that the band's songs never got off track. Calling what she did simple undermines the whole approach of her technique and execution.

— Annie Zaleski (@anniezaleski) March 14, 2023

Elsewhere, Third Man Records have announced plans to release an expanded 20th anniversary reissue of The White Stripes‘ seminal 2003 album ‘Elephant’.

Entitled ‘Elephant XX’, the package includes a new mono remix of the entire record on red and white LPs, a red glitter 7 inch with Jack White‘s original solo demos of fan favourite ‘Hypnotize’, a DVD with never-before-seen footage from the era, and a 28-page booklet of previously-unshared photos, all housed in a custom slipcase.

Mixed by White and Bill Skibbe at Third Man Studio in Nashville, the mono remix was executed on the same Calrec board used to complete the original stereo mix of ‘Elephant’ at Toe Rag Studios in London back in 2002, according to a press release. You can view a trailer and artwork below.

You May Like

Advertisement

TRENDING

‘Scream VI’ review: a nightmarish thrill ride through The City That Never Sleeps

Babyfang: Brooklyn indie-punks finding joy in the midst of the apocalypse

‘Resident Evil 4’ is when the series got gloriously bonkers

‘The Last Of Us’ finale sets up an exciting future – so what happens next?

Miley Cyrus – ‘Endless Summer Vacation’ review: a potent reclamation of power

Advertisement

Leave a Reply

Your email address will not be published. Required fields are marked *